
The editors at Time Magazine had already chosen the cover for their May 20 edition. Somehow word leaked, however, and several of Lindsay Graham’s BFFs showed up and bitch-slapped them into agreeing to withdraw it.
Not surprisingly, the original design was leaked several more times, and before long it went viral on the internet. You won’t have to search for it, however. For your convenience I’m including here the design they ran, on top. On bottom, naturally, is Lindsay Graham… featured on the cover they really wanted to run.


No Redemption for George W. Bush
Tuesday, 07 May 2013 14:11 By Paul Krugman, Krugman & Co. | Op-Ed
I’ve been focused on economic policy lately, so I sort of missed the big push to rehabilitate President George W. Bush’s image in the run-up to the opening of his presidential library in Texas recently; also, as an anti-Bushist who pointed out how terrible a president he was back when everyone else was praising him as a Great Leader, I’m kind of worn out on the subject.
But it does need to be said: Mr. Bush was a terrible president, arguably the worst ever, and not just for the reasons many others are pointing out.
From what I’ve read, most of the pushback against pro-Bush revisionism focuses on just how bad his policies were, from the disaster in Iraq to the way he destroyed the Federal Emergency Management Agency; from the way he squandered the budget surplus to the way he drove up the costs of Medicare, the health insurance program for older Americans. And all of that is fair.
But I think there was something even bigger, in some ways, than his policy failures: Mr. Bush brought an unprecedented level of systematic dishonesty to American political life, and we may never recover.
(To be sung to the tune of The Pretender


Over at BagNews Michael posted some pictures of Mark Sanford’s victory celebration at the Republican primary. His point was to note the sadness of seeing Sanford’s children on stage with his mistress. A conservative “troller” responded in a predictable comment:
Michael:
The photos are really painful, Sanford’s two sons on that stage not only having to emotionally contend with the fiancé[e] and the cameras but Sanford praising his God, then his flame back-to-back.
Troller:
aSouthernMan • an hour ago
As dumb as the Sanford debacle is/was, the new low will come on Wednesday when the formal accounting of the Benghazi coverup is finally shown. The President’s directive lie to the entire country on the 4 major networks by Susan Rice, in the face of the deaths of 4 people including a US Ambassador is treason, not just embarrassing. I hope that will be covered here as well. That story will definitely provide much more important photo ops than the titillating story of a buffoon forsaking his state and family for a piece of ass, then trying to ‘re-invent’ himself just as the sexting Anthony Weiner is (also) doing… Or will that be ignored, too?
Remember Joe Biden’s witty comment about Rudy Giuliani, that essentially everything the guy said could be boiled down to this: “Noun, verb, 9/11″? About the far right these days one might boil down most of the talk to “noun, verb, Benghazi.”
“Wow, Rufus! Look at that beautiful sky!”
“Yeah. Reminds of how the sky over Benghazi must have looked on the afternoon when Obama murdered four brave Americans, and Clinton put in place the huge cover-up now destroying our constitutional democracy.”
“Come along, now, Rufus. You don’t really believe such nonsense, do you?”
“Damn right, I do! Rush said it; Glenn said it; and Sean said it. That means it must be true. Those good ol’ boys all have secret inside sources. They never lie, and they’re never wrong!”
In the image below I’m not comparing Republicans to enemies who tried deliberately to cripple us. I’m just suggesting that we should try to learn from history; and saying that assaults based on hubris, with incomplete consideration of likely consequences, can be destructive to everyone — both those who are attacking and those who are being attacked.
This is not a game, or a “major movie.” This is real life, right now. Actions have consequences. “Victories” can seem sweet. But their consequences are often quite different from what the gleeful attackers anticipated. Ask your favorite medium to summon up the shade of Pyrrhus, and ask him.

The movie Rosemary’s Baby was directed by Roman Polanski and photographed by William Fraker. Fraker tells a story about the set-up for one particular shot. The actress Ruth Gordon, one of the “bad guys,” goes into a bedroom to make a phone call. The camera “watches” from outside, framing the shot like this:

Fraker had originally set it up so that Gordon’s entire body and the phone were visible. Polanski kept moving him to the left until he got what’s shown here. Fraker thought it was a mistake, Polanski said, “Just wait.” Sure enough, at the first public showing, when this shot came up, the entire audience leaned in unison to the right. Subconsciously, they were trying to see around the corner and find out what was going on.
Later on Marcel Duchamp brought this subconscious reaction to the fore in a way no one could deny. The vehicle was his very last work, titled Étant Donés…, on which he had worked for many years. The work is a kind of sculpture/assemblage hidden behind a wooden door in a brick wall. Well, not entirely hidden. There’s a small peephole in the door. Easier to see than describe (which I mean as a complement):

On the bottom here I show two examples of visitors looking through the peephole. On the top I show a reduced opacity image of the door, superimposed on the view the visitors are seeing as they gaze through the peephole. Human beings really want to see faces. But, obviously, there is no sightline from peephole to face.
In other words, no one peering through that peephole will ever see the face! Which is fedorkingly frustrating!! … I know this from personal experience, because my wife and I visited the museum in Philadelphia and made sure we saw the Duchamp collection. (A surreal visit to the Surrealists – “surreal” because we both were suffering big-time from a 24-hour bout with gastrointestinal disruption.)
Continuing…
I totally cop to being insatiably curious. So of course I wanted to see that face! Of course I leaned to my right, just like the audience at the first showing of Rosemary’s Baby.
Politically, it’s a strength of conservatives that “they know what’s right; they know all important issues have already been settled; they know that any new issue or application of principle that might come up with have no more than two facets – the correct one and the liberal one… They need not devote any energy at all to reflecting on alternative facts or viewpoints. They need not even listen to what anyone with sufficient temerity to disagree might have to say.
Now this the strange part.
That’s a perfect description of MSNBC talking head Chris Matthews! Yeah, not conservative Joe Scarborough, but Tweety, the self-proclaimed “moderate liberal.” I’d recommend considering him in the context I provide above. The audience for Rosemary’s Baby leaned to the side because they wanted to know more about the situation than the narrow visual perspective they’d been given offered would provide. Same for the visitors to Duchamp’s Étant Donés…
And then there’s Tweety Matthews. He asks a question of a guest, and then interrupts the guest to provide his own answer. He talks incessantly, in a kind of shout. He listens rarely, if at all. He knows the answer already, so why would he bother seeking additional information, or considering alternate perspectives. He’s the opposite of what we saw in the first two instances. Here’s how I visualize it.

∞ ∞ ∞ ∞ ∞
I have lots more info I could share, but I’ll save it. A sample? Don’t forget that Matthews is a Philadelphia guy. You know? The city whose museum houses Duchamp’s work.